The techniques for video format conversion recently have reached a maturity, where they no longer prohibit application in the consumer domain because of high price or clear picture degradation. Given the resulting new freedom, the question arises how to optimally choose a display format, i.e. free from the television history. In this paper, we present an evaluation of various realistic display formats, all using the same pixel frequency, obtained from a subjective assessment of critical image material originated either for television, or obtained from Internet pages.
Erwin B. Bellers, Gerard de Haan