Active listening is the core of musical activity Listening does not only concern receiving musical information. On the contrary, it is "active" and based on a set of int...
We demonstrate a phonotactic-semantic paradigm for spoken document categorization. In this framework, we define a set of acoustic words instead of lexical words to represent acous...
This paper presents a novel approach to the problem of automatic music transcription using electronic synthesis with genetic algorithms. Although the problem is well known and di...
We propose a novel technique for the automatic classification of vocal and non-vocal regions in an acoustic musical signal. Our technique uses a combination of harmonic content a...
—We consider representing a short temporal fragment of musical audio as a dynamic texture, a model of both the timbral and rhythmical qualities of sound, two of the important asp...
Luke Barrington, Antoni B. Chan, Gert R. G. Lanckr...