Electroacoustic music lacks a definitive vocabulary for describing its spatiality. Not only does it lack a vocabulary for describing the spatial attributes of individual sound sour...
Abstract. NEEDS REWRITE We present an audio browsing and editing paradigm that incorporates the “focus plus context” visual interaction metaphor. A traditional waveform is disp...
Abstract. The current study is part of a larger project aiming at offering intuitive mappings of control parameters piloting synthesis models by semantic descriptions of sounds, i...
Recently can be observed a growing interest in the effects of music on humans. Music has been called a food or a multi-sensory fitness of the brain. Many studies have already confi...
In this paper, we present the current state of BioTools, an ongoing project to implement a modular hardware and software toolbox for composers and performers, which allows fast dep...
This paper introduces a doctoral research project which is developing an innovative digital research methodology based around a MySql [2] database. The project’s aim is to delive...
It is common “beat programming” practice to construct rhythmic sequences in a one-sample-per-instrument manner. Sounds of separate strokes on a drum, however, generally are not...
This paper discusses musical form from a cognitive and a computational viewpoint. While several time-windows exist in the brain, we here put emphasis on the superchunks of up to mo...
The UCSB Allosphere is a 3-story-high spherical instrument in which virtual environments and performances can be experienced in full immersion. The space is now being equipped with...