NIME 2005 - PDF Preprint Papers

NIME 2005 New Interfaces for Musical Expression

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NIME
2005
Springer

310views Music» more NIME 2005»

The Overtone Violin

14 years 6 months ago

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This paper describes the concept, design, realization and evaluation of a radically augmented musical instrument named the Overtone Violin. The rationale behind the development of...

Dan Overholt

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Id	Views	Title	Status

1	310	The Overtone Violin	claim
2	292	The Airstick: A Free-Gesture ControllerUsing Infrared Sensing	claim
3	274	MnM: a Max/MSP mapping toolbox	claim
4	235	On interface expressivity: A player based study	claim
5	215	GoingPublik: Using Realtime Global Score Synthesis	claim
6	204	The Wahwactor: A Voice Controlled Wah-Wah Pedal	claim
7	189	Location33: A Mobile Musical	claim
8	183	Bridging the Gap Between Art and Science Education Through Teaching Electronic Musical Instrument Design	claim
9	173	The Metasurface: Applying Natural Neighbour Interpolation to Two-to-Many Mapping	claim
10	168	Connecting strangers at a train station	claim
11	167	Beat Boxing: Expressive Control for Electronic Music Performance and Musical Applications	claim
12	164	Wireless Dance Control: PAIR and WISEAR	claim
13	163	ixi software: The Interface as Instrument	claim
14	159	Voice-controlled plucked bass guitar through two synthesis techniques	claim
15	157	Sounds from Shapes: Audiovisual Performance with Hand Silhouette Contours in The Manual Input Sessions	claim
16	155	Multiple-Touch-Sensitive Keyboard	claim
17	154	HandySinger: Expressive Singing Voice Morphing using Personified Hand-puppet Interface	claim
18	151	A Large-Scale Networked Robotic Musical Instrument Installation	claim
19	150	Sonictroller	claim
20	150	Experiments with Virtual Reality Instruments	claim
21	149	Sustainable: a dynamic, robotic, sound installation	claim
22	148	Bangarama: Creating Music with Headbanging	claim
23	148	Bubbaboard and Mommaspeaker: Creating Digital Tonal Sounds from an Acoustic Percussive Instrument	claim
24	147	Toward Direct Brain-Computer Musical Interfaces	claim
25	144	The WiSe Box: a Multi-performer Wireless Sensor Interface using WiFi and OSC	claim
26	141	Precise Control on Compound Curves	claim
27	141	Teabox: A Sensor Data Interface System	claim
28	140	Soundstone: A 3-d wireless music controller	claim
29	139	The Smart Controller Workbench	claim
30	139	A Comparison of Sensor Strategies for Capturing Percussive Gestures	claim
31	138	ESP: A Driving Interface for Expression Synthesis	claim
32	137	Swayway MIDI Chimes	claim
33	136	Not Hyper, Not Meta, Not Cyber but Infra-Instruments	claim
34	136	Learning Advanced Skills on New Instruments (or practising scales and arpeggios on your NIME)	claim
35	136	Musical Score Generation in Valses and Etudes	claim
36	134	Echology	claim
37	134	Haptic Music Exercises	claim
38	132	SCUBA: The Self-Contained Unified Bass Augmenter	claim
39	132	"iltur" - Connecting Novices and Experts Through Collaborative Improvisation	claim
40	131	Sonification of Facial Actions for Musical Expression	claim
41	131	The Convergence of Alternate Controllers and Musical Interfaces in Interactive Entertainment	claim
42	130	CyberSong	claim
43	129	Network Latency Adaptive Tempo in the Public Sound Objects System	claim
44	128	Multi-user Instruments: Models, Examples and Promises	claim
45	124	VIFE _alpha v.01: Real-time Visual Sound Installation performed by Glove-Gesture	claim
46	120	Scrubber: An Interface for Friction-induced Sounds	claim
47	120	McBlare: A Robotic Bagpipe Player	claim
48	119	On the Use of Flute Air Jet as A Musical Control Variable	claim
49	119	REMUPP - An Interactive Tool for Investigating Musical Properties and Relations	claim
50	118	Tangible Acoustic Interfaces and their Applications for the Design of New Musical Instruments	claim
51	113	Smart Controller / Bell Garden Demo	claim
52	110	Real-Time Performance Controllers for Synthesized Singing	claim
53	109	A Personal Chronology of Audiovisual Systems Research	claim
54	107	The Role of Time in Engineering Computer Music Systems	claim
55	104	User Interface Comparison for Virtual Drums	claim
56	100	Frequency Content of Breath Pressure and Implications for Use in Control	claim

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