Sciweavers

112 search results - page 4 / 23
» AI and Music: From Composition to Expressive Performance
Sort
View
ACMACE
2008
ACM
13 years 10 months ago
BeatBender: subsumption architecture for autonomous rhythm generation
BeatBender is a computer music project that explores a new method for generating emergent rhythmic drum patterns using the subsumption architecture. Rather than explicitly coding ...
Aaron Levisohn, Philippe Pasquier
MM
2010
ACM
137views Multimedia» more  MM 2010»
13 years 8 months ago
Coming together: composition by negotiation
In this paper, we describe a software system that generates unique musical compositions in realtime, created by four autonomous multi-agents. Given no explicit musical data, agent...
Arne Eigenfeldt
CBSE
2010
Springer
14 years 1 months ago
A Three-Tier Approach for Composition of Real-Time Embedded Software Stacks
Abstract. Many component models and frameworks have been proabstract and capture concerns from Real-Time and Embedded application domains, based on high-level component-based appro...
Frédéric Loiret, Lionel Seinturier, ...
ECAI
2000
Springer
14 years 27 days ago
Beat Tracking with Musical Knowledge
Abstract. When a person taps a foot in time with a piece of music, they are performing beat tracking. Beat tracking is fundamental to the understanding of musical structure, and th...
Simon Dixon, Emilios Cambouropoulos
NIME
2005
Springer
138views Music» more  NIME 2005»
14 years 2 months ago
ESP: A Driving Interface for Expression Synthesis
In the Expression Synthesis Project (ESP), we propose a driving interface for expression synthesis. ESP aims to provide a compelling metaphor for expressive performance so as to m...
Elaine Chew, Alexandre R. J. François, Jie ...