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» AI and Music: From Composition to Expressive Performance
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CMMR
2005
Springer
160views Music» more  CMMR 2005»
14 years 2 months ago
The pureCMusic (pCM++) Framework as Open-Source Music Language
The pureCMusic (pCM++) framework gives the possibility to write a piece of music in terms of an algorithmic-composition-based program -also controlled by data streaming from extern...
Leonello Tarabella
CE
2005
84views more  CE 2005»
13 years 8 months ago
Virtual collaborative learning environments for music: networked drumsteps
This paper focuses on technologies that enable meaningful, constructionist interaction in collaborative music environments. In particular, it describes the design and implementati...
Conor McCarthy, James Bligh, Kevin Jennings, Brend...
CHI
2011
ACM
13 years 4 days ago
MOGCLASS: evaluation of a collaborative system of mobile devices for classroom music education of young children
Composition, listening, and performance are essential activities in classroom music education, yet conventional music classes impose unnecessary limitations on students’ ability...
Yinsheng Zhou, Graham Percival, Xinxi Wang, Ye Wan...
NIME
2005
Springer
136views Music» more  NIME 2005»
14 years 2 months ago
Not Hyper, Not Meta, Not Cyber but Infra-Instruments
As a response to a number of notable contemporary aesthetic tendencies, this paper introduces the notion of an infrainstrument as a kind of ‘new interface for musical expression...
John Bowers, Phil Archer
MM
2005
ACM
146views Multimedia» more  MM 2005»
14 years 2 months ago
Unsupervised content discovery in composite audio
Automatically extracting semantic content from audio streams can be helpful in many multimedia applications. Motivated by the known limitations of traditional supervised approache...
Rui Cai, Lie Lu, Alan Hanjalic