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» New Musical Interfaces and New Music-making Paradigms
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CHI
2007
ACM
14 years 10 months ago
The digital music box: using cultural and critical theory to inform design
This work draws on studies which explore resistance to the music industry's construal of copying music files as theft. Following a previous ethnography on participants' ...
Mark Blythe
UMC
2000
14 years 1 months ago
Quantum Information: The New Frontier
Quantum information and computation is the new hype in physics. It is promising, mindboggling and even already applicable in cryptography, with good prospects ahead. A brief, rathe...
Karl Svozil
MM
2003
ACM
128views Multimedia» more  MM 2003»
14 years 3 months ago
Application of a content-based percussive sound synthesizer to packet loss recovery in music streaming
This paper presents a novel method to recover lost packets in music streaming using a synthesizer to generate percussive sounds. As an improvement of the state-of-the-art system t...
Lonce Wyse, Ye Wang, Xinglei Zhu
CHI
2009
ACM
14 years 10 months ago
Spectator understanding of error in performance
The development of computer-based devices for music control has created a need to study how spectators understand new performance technologies and practices. As a part of a larger...
A. Cavan Fyans, Michael Gurevich, Paul Stapleton
NIME
2005
Springer
136views Music» more  NIME 2005»
14 years 3 months ago
Not Hyper, Not Meta, Not Cyber but Infra-Instruments
As a response to a number of notable contemporary aesthetic tendencies, this paper introduces the notion of an infrainstrument as a kind of ‘new interface for musical expression...
John Bowers, Phil Archer