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NIME
2004
Springer
155views Music» more  NIME 2004»
14 years 4 months ago
A New Mix of Forgotten Technology: Sound Generation, Sequencing and Performance Using an Optical Turntable
This report presents a novel interface for musical performance which utilizes a record-player turntable augmented with a computation engine and a high-density optical sensing arra...
Nikita Pashenkov
NIME
2004
Springer
105views Music» more  NIME 2004»
14 years 4 months ago
The Slidepipe: A Timeline-Based Controller for Real-Time Sample Manipulation
When working with sample-based media, a performer is managing timelines, loop points, sample parameters and effects parameters. The Slidepipe is a performance controller that give...
Mark Argo
NIME
2004
Springer
148views Music» more  NIME 2004»
14 years 4 months ago
EyeMusic: Making Music with the Eyes
Though musical performers routinely use eye movements to communicate with each other during musical performances, very few performers or composers have utilized eye tracking devic...
Anthony J. Hornof, Linda Sato
NIME
2004
Springer
106views Music» more  NIME 2004»
14 years 4 months ago
Aura II: Making Real-Time Systems Safe for Music
Real-time interactive software can be difficult to construct and debug. Aura is a software platform to facilitate highly interactive systems that combine audio signal processing, ...
Roger B. Dannenberg
NIME
2004
Springer
122views Music» more  NIME 2004»
14 years 4 months ago
Digital Instruments and Players: Part I - Efficiency and Apprenticeship
When envisaging new digital instruments, designers do not have to limit themselves to their sonic capabilities (which can be absolutely any), not even to their algorithmic power; ...
Sergi Jordà