NIME 2004 - PDF Preprint Papers

NIME 2004 New Interfaces for Musical Expression

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NIME
2004
Springer

354views Music» more NIME 2004»

The Electronic Sitar Controller

14 years 5 months ago

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This paper describes the design of an Electronic Sitar controller, a digitally modified version of Saraswati’s (the Hindu Goddess of Music) 19-stringed, pumpkin shelled, traditi...

Ajay Kapur, Ari J. Lazier, Philip Davidson, R. Sco...

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Id	Views	Title	Status

1	354	The Electronic Sitar Controller	claim
2	171	Acappella synthesis demonstrations using RWC music database	claim
3	167	Using an Expressive Performance Template in a Music Conducting Interface	claim
4	162	The Architecture of Auracle: a Real-Time, Distributed, Collaborative Instrument	claim
5	155	A New Mix of Forgotten Technology: Sound Generation, Sequencing and Performance Using an Optical Turntable	claim
6	154	Synthesized Strings for String Players	claim
7	153	Aobachi: A New Interface for Japanese Drumming	claim
8	148	EyeMusic: Making Music with the Eyes	claim
9	141	StickMusic: Using haptic feedback with a phase vocoder	claim
10	138	ThumbTec: A New Handheld Input Device	claim
11	130	Ensemble system with i-trace	claim
12	129	Real-time Gesture Mapping in Pd Environment using Neural Networks	claim
13	125	Modeling an air percussion for composition and performance	claim
14	125	Techniques for Multi-Channel Real-Time Spatial Distribution Using Frequency-Domain Processing	claim
15	123	A Theory of Modulated Objects for New Shamanic Controller Design	claim
16	122	Digital Instruments and Players: Part I - Efficiency and Apprenticeship	claim
17	122	The Stranglophone: Enhancing Expressiveness in Live Electronic Music	claim
18	122	Light Pipes: A Light Controlled MIDI Instrument	claim
19	115	The Case Study of Application of Advanced Gesture Interface and Mapping Interface, - Virtual Musical Instrument "Le SuperPolm" and Gesture Controller "BodySuit"	claim
20	114	Tree Music: Composing with GAIA	claim
21	113	Daisyphone: Support for Remote Music Collaboration	claim
22	113	Mobile Music Making	claim
23	110	ism: Improvisation Supporting System based on Melody Correction	claim
24	110	You're The Conductor: A Realistic Interactive Conducting System for Children	claim
25	108	"On-the-fly Programming: Using Code as an Expressive Musical Instrument"	claim
26	107	Evolving Tooka: from Experiment to Instrument	claim
27	106	Epipe : A Novel Electronic Woodwind Controller	claim
28	106	Aura II: Making Real-Time Systems Safe for Music	claim
29	106	LEMUR's Musical Robots	claim
30	105	The Slidepipe: A Timeline-Based Controller for Real-Time Sample Manipulation	claim
31	105	SillyTone Squish Factory	claim
32	104	In Duet with Everyday Urban Settings: A User Study of Sonic City	claim
33	104	The Squiggle: A Digital Musical Instrument	claim
34	102	Gesture and Musical Interaction: Interactive Engagement Through Dynamic Morphology	claim
35	100	TOASTER and KROONDE: High-Resolution and High-Speed Real-time Sensor Interfaces	claim
36	97	Live Cinema: Designing an Instrument for Cinema Editing as a Live Performance	claim
37	97	PebbleBox and CrumbleBag: Tactile Interfaces for Granular Synthesis	claim
38	96	A Shape-Based Approach to Computer Vision Musical Performance Systems	claim
39	95	Don't Just Play it, Grow it! : Breeding Sound Synthesis and Performance Mappings	claim
40	93	Recycling Music, Answering Back: Toward an Oral Tradition of Electronic Music	claim
41	93	On the Choice of Mappings Based On Geometric Properties	claim
42	93	Sound Feedback for Powerful Karate Training	claim
43	89	Measurement of Latency in Interactive Multimedia Art	claim
44	87	Thermoscore: A New-type Musical Score with Temperature Sensation	claim
45	86	Exploration of the correspondence between visual and acoustic parameter spaces	claim
46	79	A Survey of Real-Time MIDI Performance	claim
47	79	Toward a generalized friction controller: from the bowed string to unusual musical instruments	claim

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