Electronic Musical Instrument Design is an excellent vehicle for bringing students from multiple disciplines together to work on projects, and help bridge the perennial gap betwee...
Discussion of time in interactive computer music systems engineering has been largely limited to data acquisition rates and latency. Since music is an inherently time-based medium...
While many new interfaces for musical expression have been presented in the past, methods to evaluate these interfaces are rare. This paper presents a method and a study comparing...
The author describes a recent composition for piano and computer in which the score performed by the pianist, read from a computer monitor, is generated in real-time from a vocabu...
This paper describes the concept, design, realization and evaluation of a radically augmented musical instrument named the Overtone Violin. The rationale behind the development of...
When learning a classical instrument, people often either take lessons in which an existing body of “technique” is delivered, evolved over generations of performers, or in som...
In this paper we study the potential and the challenges posed by multi-user instruments, as tools that can facilitate interaction and responsiveness not only between performers an...
In this paper we present an example of the use of the singing voice as a controller for digital music synthesis. The analysis of the voice with spectral processing techniques, der...
We present a novel way of manipulating a spatial soundscape, one that encourages collaboration and exploration. Through a table-top display surrounded by speakers and lights, part...
In this presentation, we discuss and demonstrate a multiple touch sensitive (MTS) keyboard developed by Robert Moog for John Eaton. Each key of the keyboard is equipped with senso...