Sciweavers

NIME
2005
Springer
183views Music» more  NIME 2005»
14 years 5 months ago
Bridging the Gap Between Art and Science Education Through Teaching Electronic Musical Instrument Design
Electronic Musical Instrument Design is an excellent vehicle for bringing students from multiple disciplines together to work on projects, and help bridge the perennial gap betwee...
Paul D. Lehrman
NIME
2005
Springer
107views Music» more  NIME 2005»
14 years 5 months ago
The Role of Time in Engineering Computer Music Systems
Discussion of time in interactive computer music systems engineering has been largely limited to data acquisition rates and latency. Since music is an inherently time-based medium...
Eric Lee, Jan Borchers
NIME
2005
Springer
235views Music» more  NIME 2005»
14 years 5 months ago
On interface expressivity: A player based study
While many new interfaces for musical expression have been presented in the past, methods to evaluate these interfaces are rare. This paper presents a method and a study comparing...
Cornelius Poepel
NIME
2005
Springer
136views Music» more  NIME 2005»
14 years 5 months ago
Musical Score Generation in Valses and Etudes
The author describes a recent composition for piano and computer in which the score performed by the pianist, read from a computer monitor, is generated in real-time from a vocabu...
David Kim-Boyle
NIME
2005
Springer
310views Music» more  NIME 2005»
14 years 5 months ago
The Overtone Violin
This paper describes the concept, design, realization and evaluation of a radically augmented musical instrument named the Overtone Violin. The rationale behind the development of...
Dan Overholt
NIME
2005
Springer
136views Music» more  NIME 2005»
14 years 5 months ago
Learning Advanced Skills on New Instruments (or practising scales and arpeggios on your NIME)
When learning a classical instrument, people often either take lessons in which an existing body of “technique” is delivered, evolved over generations of performers, or in som...
Sageev Oore
NIME
2005
Springer
128views Music» more  NIME 2005»
14 years 5 months ago
Multi-user Instruments: Models, Examples and Promises
In this paper we study the potential and the challenges posed by multi-user instruments, as tools that can facilitate interaction and responsiveness not only between performers an...
Sergi Jordà
NIME
2005
Springer
159views Music» more  NIME 2005»
14 years 5 months ago
Voice-controlled plucked bass guitar through two synthesis techniques
In this paper we present an example of the use of the singing voice as a controller for digital music synthesis. The analysis of the voice with spectral processing techniques, der...
Jordi Janer
NIME
2005
Springer
134views Music» more  NIME 2005»
14 years 5 months ago
Echology
We present a novel way of manipulating a spatial soundscape, one that encourages collaboration and exploration. Through a table-top display surrounded by speakers and lights, part...
Meghan Deutscher, Sidney Fels, Reynald Hoskinson, ...
NIME
2005
Springer
155views Music» more  NIME 2005»
14 years 5 months ago
Multiple-Touch-Sensitive Keyboard
In this presentation, we discuss and demonstrate a multiple touch sensitive (MTS) keyboard developed by Robert Moog for John Eaton. Each key of the keyboard is equipped with senso...
John Eaton, Bob Moog