This paper describes the SillyTone Squish Factory, a haptically engaging musical interface. It contains the motivation behind the device’s development, a description of the interface, various mappings of the interface to musical applications, details of its construction, and the requirements to demo the interface. Keywords Performance, design, kinesthetic, gesture, haptic, children, flexible, anthropomorphic.
Geoffrey C. Morris, Sasha Leitman, Marina Kassiani