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ICAD
2004
13 years 10 months ago
Reeds: A Responsive Sound Installation
This paper discusses the responsive sound installation Reeds. The Melbourne International Festival of the Arts commissioned the Reeds project in 2000, for exhibition on the Orname...
Garth Paine
ICAD
2004
13 years 10 months ago
Data Set Selection for a Constrained Simple Sonification
Previous work on the production and test of various sonifications has shown that adding a sonification to an interface can assist the execution of a variety of operator tasks [1,2...
Shawn C. Garner
ICAD
2004
13 years 10 months ago
Emotionface: Prototype Facial Expression Display of Emotion in Music
EmotionFace is a software interface for visually displaying the self-reported emotion expressed by music. Taken in reverse, it can be viewed as a facial expression whose auditory ...
Emery Schubert
ICAD
2004
13 years 10 months ago
Decoupled Loudness and Range Control for a Source Located Within a Small Virtual Acoustic Environment
For headphone-based spatial auditory display systems, binaural synthesis of sound localization cues typically use source reproduction level as the primary control for source range...
William L. Martens
ICAD
2004
13 years 10 months ago
Space, the Final Frontearcon: The Identification of Concurrently Presented Earcons in a Synthetic Spatialised Auditory Environme
Two experiments which investigate the impact of spatialised presentation on the identification of concurrently presented earcons are described. The first experiment compared the i...
David K. McGookin, Stephen A. Brewster