ICAD 2004 - PDF Preprint Papers

ICAD 2004

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ICAD
2004

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Emotionface: Prototype Facial Expression Display of Emotion in Music

14 years 25 days ago

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EmotionFace is a software interface for visually displaying the self-reported emotion expressed by music. Taken in reverse, it can be viewed as a facial expression whose auditory ...

Emery Schubert

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Id	Views	Title	Status

1	302	Emotionface: Prototype Facial Expression Display of Emotion in Music	claim
2	193	Sound Design to Enhance Presence in Photorealistic Virtual Reality	claim
3	186	Polyrhythm in the Human Brain	claim
4	186	A Flexible Framework for Real-Time Sonification with Sonart	claim
5	168	Interacting With Sound: An Interaction Paradigm for Virtual Auditory Worlds	claim
6	166	Listen (Awakening)	claim
7	164	Mobile Spatial Audio Communication System	claim
8	163	A 16-Speaker 3D Audio-Visual Display Interface and Control System	claim
9	158	External Auditory Representations of Programs: Past, Present, and Future an Aesthetic Perspective	claim
10	153	Perception of Unattended Speech	claim
11	151	Creating Functional and Livable Soundscapes for Peripheral Monitoring of Dynamic Data	claim
12	150	Control and Measurement of Apparent Sound Source Width and its Applications to Sonification and Virtual Auditory Displays	claim
13	149	Analytic Listening: A Case Study of Radio Production	claim
14	148	Mind Your Body	claim
15	147	A Generic, Semantically-Based Design Approach for Spatial Auditory Computer Displays	claim
16	146	Sonification of Geo-Referenced Data for Auditory Information Seeking: Design Principle and Pilot Study	claim
17	144	Interaction Sound Feedback in a Haptic Virtual Environment to Improve Motor Skill Acquisition	claim
18	144	Listening to the Mind Listening	claim
19	143	Capture and Recreation of Higher-Order 3D Sound Fields via Reciprocity	claim
20	142	An Orientation Experiment Using Auditory Artificial Horizon	claim
21	141	Auditory Display of Hyperspectral Colon Tissue Images Using Vocal Synthesis Models	claim
22	140	How to Tackle Auditory Interface Aesthetics: Discussion and Case Study	claim
23	139	The Audio Abacus: Representing a Wide Range of Values with Accuracy and Precision	claim
24	137	Individual Differences, Cognitive Abilities, and the Interpretation of Auditory Graphs	claim
25	136	The Importance of Interaction in Sonification	claim
26	135	Data Set Selection for a Constrained Simple Sonification	claim
27	135	The Design and Evaluation of Auditory Access to Spreadsheets	claim
28	134	Perceptions in C	claim
29	131	Cultivating Design Patterns for Auditory Displays	claim
30	131	Auditory Feedback of Human EEG for Direct Brain-Computer Communication	claim
31	129	How Long Does it Take to Identify Everyday Sounds?	claim
32	127	Geometric Shape Detection with Soundview	claim
33	126	Reeds: A Responsive Sound Installation	claim
34	126	Towards Enhancing Earthquake Response Interpretation Using Sonification	claim
35	125	Untidy Mind	claim
36	124	Soundserver: Data Sonification On-Demand for Computational Instances	claim
37	124	The Interaction Between Head-Tracker Latency, Source Duration, and Response Time in the Localization of Virtual Sound Sources	claim
38	122	Marketbuzz: Sonification of Real-Time Financial Data	claim
39	122	Decoupled Loudness and Range Control for a Source Located Within a Small Virtual Acoustic Environment	claim
40	122	Designing Sound: Towards a System for Designing Audio Interfaces using Timbre Spaces	claim
41	122	The Design of Mixed Use Virtual Auditory Displays: Recent Findings with a Dual-Task Paradigm	claim
42	121	Selective and Divided Attention: Extracting Information from Simultaneous Sound Sources	claim
43	120	The Sonification of Rhythms in Human Electroencephalogram	claim
44	119	Orchestration Within the Sonification of Basic Data Sets	claim
45	119	Space, the Final Frontearcon: The Identification of Concurrently Presented Earcons in a Synthetic Spatialised Auditory Environment	claim
46	119	Soundstudio 4D: A VR Interface for Gestural Composition of Spatial Soundscapes	claim
47	114	Auditory Navigation Performance is Affected by Waypoint Capture Radius	claim
48	113	Three Dimensional Auditory Display: Issues in Applications for Visually Impaired Students	claim
49	112	Localisation of Multiple Sounds as a Function of the Duration of the Inter-Sound Gap	claim
50	111	Comparing and Reusing Visualisation and Sonification Designs using the MS-Taxonomy	claim
51	110	A Toolkit for Interactive Sonification	claim
52	109	Physically-based Models for Liquid Sounds	claim
53	108	What Are You Really Thinking?	claim
54	107	Auditory Versus Visual Spatial Impression: A Study of Two Auditoria	claim
55	107	Aural Maps, Neural Futures	claim
56	106	Exploring Visitor Stories Using a Radio Interface	claim
57	95	Reverberation for Ambient Data Communication	claim

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