This paper discusses the responsive sound installation Reeds. The Melbourne International Festival of the Arts commissioned the Reeds project in 2000, for exhibition on the Orname...
This paper details the CHESS system developed at the University of Wollongong. CHESS aims to provide a hardware and software platform for the creation, manipulation and playback o...
The creation of audio interfaces is currently hampered by the difficulty of designing sounds for them. This paper presents a novel system for generating and manipulating non-speec...
Comparing designs of sonifications is difficult enough but comparing a visual display with a sound display is much harder. Yet the designer of multi-sensory displays would like to...
This paper describes the concept and the realisation of a research prototype of a haptic environment that is enhanced with sound feedback to impart implicit knowledge and to teach...
This paper provides a summary of previous work done in the area of external auditory representations of programs (known as program auralisation). A brief historical review is give...
This note describes a response to the call for sonifications issued in connection with ICAD2004. The resulting piece is entitled " What are you really thinking?"...
Two experiments which investigate the impact of spatialised presentation on the identification of concurrently presented earcons are described. The first experiment compared the i...
Sonifications must be studied in order to match listener expectancies about data representation in the form of sound. In this study, a system was designed and implemented for dyna...
One issue that arises in relation to the use of three-dimensional audio displays as a means of conveying spatial information to human operators concerns the ability of operators t...