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NIME
2004
Springer
148views Music» more  NIME 2004»
14 years 3 months ago
EyeMusic: Making Music with the Eyes
Though musical performers routinely use eye movements to communicate with each other during musical performances, very few performers or composers have utilized eye tracking devic...
Anthony J. Hornof, Linda Sato
NIME
2004
Springer
354views Music» more  NIME 2004»
14 years 3 months ago
The Electronic Sitar Controller
This paper describes the design of an Electronic Sitar controller, a digitally modified version of Saraswati’s (the Hindu Goddess of Music) 19-stringed, pumpkin shelled, traditi...
Ajay Kapur, Ari J. Lazier, Philip Davidson, R. Sco...
NIME
2004
Springer
106views Music» more  NIME 2004»
14 years 3 months ago
Aura II: Making Real-Time Systems Safe for Music
Real-time interactive software can be difficult to construct and debug. Aura is a software platform to facilitate highly interactive systems that combine audio signal processing, ...
Roger B. Dannenberg
NIME
2004
Springer
100views Music» more  NIME 2004»
14 years 3 months ago
TOASTER and KROONDE: High-Resolution and High-Speed Real-time Sensor Interfaces
High capacity of transmission lines (Ethernet in particular) is much higher than what imposed by MIDI today. So it is possible to use capturing interfaces with high-speed and high...
Thierry Coduys, Cyrille Henry, Arshia Cont
NIME
2004
Springer
108views Music» more  NIME 2004»
14 years 3 months ago
"On-the-fly Programming: Using Code as an Expressive Musical Instrument"
On-the-fly programming is a style of programming in which the programmer/performer/composer augments and modifies the program while it is running, without stopping or restarting, ...
Ge Wang, Perry R. Cook
Music
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