Sciweavers

NIME
2004
Springer
106views Music» more  NIME 2004»
14 years 5 months ago
Aura II: Making Real-Time Systems Safe for Music
Real-time interactive software can be difficult to construct and debug. Aura is a software platform to facilitate highly interactive systems that combine audio signal processing, ...
Roger B. Dannenberg
NIME
2004
Springer
93views Music» more  NIME 2004»
14 years 5 months ago
Recycling Music, Answering Back: Toward an Oral Tradition of Electronic Music
This essay outlines a framework for understanding new musical compositions and performances that utilize pre-existing sound recordings. In attempting to articulate why musicians a...
Gideon D'Arcangelo
NIME
2004
Springer
148views Music» more  NIME 2004»
14 years 5 months ago
EyeMusic: Making Music with the Eyes
Though musical performers routinely use eye movements to communicate with each other during musical performances, very few performers or composers have utilized eye tracking devic...
Anthony J. Hornof, Linda Sato
NIME
2004
Springer
100views Music» more  NIME 2004»
14 years 5 months ago
TOASTER and KROONDE: High-Resolution and High-Speed Real-time Sensor Interfaces
High capacity of transmission lines (Ethernet in particular) is much higher than what imposed by MIDI today. So it is possible to use capturing interfaces with high-speed and high...
Thierry Coduys, Cyrille Henry, Arshia Cont
NIME
2004
Springer
125views Music» more  NIME 2004»
14 years 5 months ago
Modeling an air percussion for composition and performance
This paper presents a project involving a percussionist playing on a virtual percussion. Both artistic and technical aspects of the project are developed. Especially, a method for...
Christophe Havel, Myriam Desainte-Catherine
NIME
2004
Springer
130views Music» more  NIME 2004»
14 years 5 months ago
Ensemble system with i-trace
This paper proposes an interface for improvisational ensemble plays which synthesizes musical sounds and graphical images on the floor from people’s act of “walking.” The ai...
Tomoko Hashida, Yasuaki Kakehi, Takeshi Naemura
NIME
2004
Springer
123views Music» more  NIME 2004»
14 years 5 months ago
A Theory of Modulated Objects for New Shamanic Controller Design
This paper describes a theory for modulated objects based on observations of recent musical interface design trends. The theory implies extensions to an object-based approach to c...
Matthew Burtner
NIME
2004
Springer
113views Music» more  NIME 2004»
14 years 5 months ago
Daisyphone: Support for Remote Music Collaboration
We have seen many new and exciting developments in new interfaces for musical expression. In this paper we present the design of an interface for remote group music improvisation ...
Nick Bryan-Kinns, Patrick G. T. Healey
NIME
2004
Springer
115views Music» more  NIME 2004»
14 years 5 months ago
The Case Study of Application of Advanced Gesture Interface and Mapping Interface, - Virtual Musical Instrument "Le SuperPolm" a
We will discuss the case study of application of the Virtual Musical Instrument and Sound Synthesis. Doing this application, the main subject is advanced Mapping Interface in orde...
Suguru Goto, Takahiko Suzuki
NIME
2004
Springer
86views Music» more  NIME 2004»
14 years 5 months ago
Exploration of the correspondence between visual and acoustic parameter spaces
This paper describes an approach to match visual and acoustic parameters to produce an animated musical expression. Music may be generated to correspond to animation, as described...
David Gerhard, Daryl H. Hepting, Matthew McKague