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NIME
2004
Springer
102views Music» more  NIME 2004»
14 years 5 months ago
Gesture and Musical Interaction: Interactive Engagement Through Dynamic Morphology
New Interfaces for Musical Expression must speak to the nature of ‘instrument’, that is, it must always be understood that the interface binds to a complex musical phenomenon....
Garth Paine
NIME
2004
Springer
171views Music» more  NIME 2004»
14 years 5 months ago
Acappella synthesis demonstrations using RWC music database
A series of demonstrations of synthesized acappella songs based on an auditory morphing using STRAIGHT [5] will be presented. Singing voice data for morphing were extracted from t...
Hideki Kawahara, Hideki Banno, Masanori Morise
NIME
2004
Springer
167views Music» more  NIME 2004»
14 years 5 months ago
Using an Expressive Performance Template in a Music Conducting Interface
This paper describes an approach for playing expressive music, as it refers to a pianist's expressiveness, with a tapping-style interface. MIDI-formatted expressive performan...
Haruhiro Katayose, Keita Okudaira
NIME
2004
Springer
354views Music» more  NIME 2004»
14 years 5 months ago
The Electronic Sitar Controller
This paper describes the design of an Electronic Sitar controller, a digitally modified version of Saraswati’s (the Hindu Goddess of Music) 19-stringed, pumpkin shelled, traditi...
Ajay Kapur, Ari J. Lazier, Philip Davidson, R. Sco...
NIME
2004
Springer
97views Music» more  NIME 2004»
14 years 5 months ago
PebbleBox and CrumbleBag: Tactile Interfaces for Granular Synthesis
The PebbleBox and the CrumbleBag are examples of a granular interaction paradigm, in which the manipulation of physical grains of arbitrary material becomes the basis for interact...
M. Sile O'Modhrain, Georg Essl
NIME
2004
Springer
87views Music» more  NIME 2004»
14 years 5 months ago
Thermoscore: A New-type Musical Score with Temperature Sensation
In this paper, we propose Thermoscore, a musical score form -that dynamically alters the temperature of the instrument/play er interface. We developed the first version of the The...
Homei Miyashita, Kazushi Nishimoto
NIME
2004
Springer
93views Music» more  NIME 2004»
14 years 5 months ago
On the Choice of Mappings Based On Geometric Properties
The choice of mapping strategies to effectively map controller variables to sound synthesis algorithms is examined. Specifically, we look at continuous mappings that have a geom...
Doug Van Nort, Marcelo M. Wanderley, Philippe Depa...
NIME
2004
Springer
122views Music» more  NIME 2004»
14 years 5 months ago
Digital Instruments and Players: Part I - Efficiency and Apprenticeship
When envisaging new digital instruments, designers do not have to limit themselves to their sonic capabilities (which can be absolutely any), not even to their algorithmic power; ...
Sergi Jordà
NIME
2004
Springer
79views Music» more  NIME 2004»
14 years 5 months ago
A Survey of Real-Time MIDI Performance
Although MIDI is often used for computer-based interactive music applications, its real-time performance is rarely quantified, despite concerns about whether it is capable of ade...
Mark J. Nelson, Belinda Thom
NIME
2004
Springer
89views Music» more  NIME 2004»
14 years 5 months ago
Measurement of Latency in Interactive Multimedia Art
In this paper, I would like to introduce my experimental study of multimedia psychology. My initial focus of investigation is the interaction between perceptions of auditory and v...
Yoichi Nagashima